They liked the idea of a martial art created by a woman and they had been highly influenced by the Ip Man movies, which are very good movies, I believe all Wing Chun practitioners love them! In the class there some senior students like Sifu’s sons Ip Kwong Chiu 葉廣超 and Ip Kwong Kit 葉廣傑, and other seniors like Leung Chong Wai 梁忠威, Raymond Lo 盧德安 and Kwok Tak Yin 郭德賢 – who had told me he would be there and it was good to see them all again. I did Chī Sáu 黐手 with one lady from the mainland and during our Chī Sáu I would sometimes only use one hand. This confused her and she did not know what to do. I told her, Chī Sáu was training and is close to fighting. In fighting we mostly contact with one hand, especially at the beginning. Then we will get closer, and we will use both hands more. I told her that Chī Sáu was training sensitivity, footwork and correct skill, and that we must learn how to use less energy when defending ourselves and then we can use more energy when we hit. During the time we are training, we must learn how to use one hand and two hands and footwork to use less energy to against their stronger energy.
Grandmaster Tse’s Wing Chun Note 518
If we take a close look at all three of these forms, we will see that Bīu Zī is in all of them.
Grandmaster Tse’s Wing Chun Note 517
The hardest part of the training is holding the leg up and keeping the position. As we get tired, the leg will start to drop.
Grandmaster Tse’s Wing Chun Note 516
When we kick, we do not just consider the kicking leg; we need to maintain our balance and not move the upper body very much.
Grandmaster Tse’s Wing Chun Note 515
Before we can use the punch, we must practise connecting the whole body, from the stance to the waist and then through the body,
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